The general approach to my practice is process based and involves the use
of the photograph as object. My interests lie in exploring the limits of surface, texture and visibility within the medium.

It is through the layering of materials and the techniques used when having
shot the original image that the viewer is left to decipher a somewhat 'incomplete scene'. Objects and places have been abstracted from their surroundings so the images, at times, operate at the threshold of legibility.

By exploring such methods, I hope to encourage the audience to slow down their process of reading the medium and inspire a different way of looking at it. Reactions to the imagery should weave their way back into the unconscious and allow the spectator to fill in their own gaps accordingly. Thus participation is simultaneously captured and ignited, and the re-examination of memory and reminiscence begins.